They can peruse the paper over coffee, and no one knows. Clients who are wary of online transactions are liable to see escorts with print ads as less likely to cheat or scam them. Administrators resolved this by dividing up their finds, displaying the glorious colonnades while bricking up the frescos and dick pottery from public view. One early excavator estimated that there was one brothel for every people in the city. Print also has a certain cache that might appeal to both sex workers and clients. They include older guys who are used to paper ads and like to have a phone conversation. In addition, NOW works with sex worker organizations and provides weekly tips in the magazine to ensure safer services. The ad situation at these major publications is highly regulated but little-discussed. And there will be consequences that stretch beyond the adult industry, into licit spheres that are propped up, whether we realize it or not, by the invisible economy of sex work.
For an industry struggling to retain revenue, the revenue loss will be significant; there will be layoffs, if not total paper shutdowns. Print also has a certain cache that might appeal to both sex workers and clients. As if the former could exist without the latter; were not financed by it completely. And the less secretive publishers are about this relationship, the better they seem to do: One early excavator estimated that there was one brothel for every people in the city. I wrote one of them while refusing to run their ads. Inevitably, more publications will follow, though rumour has it that NOW is planning to hold strong. And there will be consequences that stretch beyond the adult industry, into licit spheres that are propped up, whether we realize it or not, by the invisible economy of sex work. While online media will be affected, the legislation will be difficult to apply to the digital world. It was more nuanced than that: Clients who are wary of online transactions are liable to see escorts with print ads as less likely to cheat or scam them. These were men of their time, and their aesthetic interest in the ancient world was throttled by Christian prudery. They can peruse the paper over coffee, and no one knows. Take The Grid, an acclaimed Toronto alt-weekly owned by Star Media Group, which folded due to revenue shortage this June after only two years on newsstands. Some agencies and escorts see print advertising as more reliable than online media—less likely to be suddenly shut down, or hacked, or exploited by scammers—and are willing to pay extra for the peace of mind. Pompeii was a tourist town, its economy fed by the actors and soldiers who charged in on their flush days, looking for wine and gambling and well-priced sex. Emily Rushton, an escort in her 30s who tours both cities and smaller towns around Ontario, explains that region is a factor, too. They could use a variety of third-party advertisers that link back to their personal websites, they could advertise via social media such as Twitter and Facebook, and they could also advertise in newspapers. There is no question that online advertising has transformed the sex industry, but in fact, ads for sexual services are far from endangered, and appear in print publications as diverse as the Toronto Sun and the New York Review of Books which runs them alongside personals ads. Excising them, he says, was more of a business decision than a moral one. And so, for its run, The Grid engaged in a very incongruous bit of editorial NIMBY-ism, publishing all manner of stories in support of sex workers full disclosure: Pornographic paintings in the public baths may have also been linked to sex workers, indicating that they were available in rooms on the upper floors. In addition, NOW works with sex worker organizations and provides weekly tips in the magazine to ensure safer services. The sex work ads of Pompeii were ingenious, but what makes them relevant now is the way they provoked and confused excavators many centuries after the fact. Among the fine artifacts of white-marbled antiquity—perfectly engineered aqueducts and Doric colonnades—were baldly erotic frescos; lewd graffiti; and penises everywhere, strung from wind chimes, arcing out of walls, clustered on the paving stones like mushrooms.
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